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Good HitsGOOD HITS - THE VERY BEST GANJA FORCE (THCC06)
Fuzzy Cup (Moonproof/Quimberry)
Pedestrian Man (Moonproof)
Green Sea (Quimberry)
Black Water (Moonproof)
Severe Narcosis (Moonproof/DeFris)
Fuzzy Cup [Gravity Bong Mix](Moonproof/Quimberry)
Fuzzy Cup [7" Clean Version](Moonproof/Quimberry)
Thank The Lord I'm A Cocksucker (Snowstorm/DeFris)
Honeyfuckle (Moonproof/Snowstorm)
Mama Weer All Crazee Now (Holder/Lea)
Fanfare For The Common Man (Copland)
Fuzzy Cup [Slight Return](Moonproof/Quimberry)

Produced by Ganja Force. © 1996 THC Records

Following the unmitigated disaster that was "Hamlet" THC acted quickly in dropping their one-time favoured artistes. The original deal required us to provide THC with 4 albums but with the band at breaking point (Quimberry wanting me to take "Hamlet" on the road. On ice for fuck's sake.) THC cut their significant losses and opted for what was, but for a hasty remix of "Fuzzy Cup", a best-of album. We had, in actuality, given THC more than the requisite number of albums ("Hamlet" being 3-in-1) and arguing this point allowed us to get away without recording any new material. That, and the fact, they (THC) were all too aware how long a Ganja Force album could take to record of late. Not like the old days - 3 days "Piss Elegance" took us. "Hamlet" took almost 3 years. They did kindly accept my idea for the title and cover-art though, but misprinted the title, by inserting, unnecessarily, the word "of".

The band finally split - I ended up taking Quimberry to court over the writing credits and royalties for "Fuzzy Cup". Somehow, despite writing not one single note of that hit single, he'd managed to gain a writing credit and therefore 50% of the royalties. I can only imagine he'd prostrated himself on the "casting couch" with some THC bigwig during one of my absences. I was desperate for cash, having returned to Swindon to record my second solo album ("So Low Out In") and felt that his defence - "creative use of triangle" - was insufficient to warrant half of my money. At the same time I petitioned for proprietary rights to the name "Ganja Force" (fearing Quimberry's megalomania would result in a Ganja Force without me, its progenitor, at the helm) and won. (I did, however, lose the royalties case, the judge obviously having taken a back-hander, or something entirely different. Maybe Quimberry had slipped him a mickey - it wouldn't have been the first time)

Undeterred, Quimberry, Emma and Imogen, at Quimberry's insistence, formed "The Ganja Boys". I say at his insistence because Emma had begun to carve out a career in Amsterdam, providing soundtracks for Art Movies (notably "Hot Amsterdam Nights") and had taken up acting in said movies. And Imogen had returned to Reading where she took a job as a high school dinner-lady. Much to the delight of the Sixth Form, according to the local paper who discovered her penchant for adolescents and Nazi boots. Neither of them were desperate for the work then and once again (as per "Hamlet") Quimberry had displayed some bizarre hold over the two girls. Both were otherwise violently independent and not easily led. I believe, and it's a dirty word I know (so's poo, but it happens) that he was blackmailing them. To this day, I have my suspicions about an order of mine that went missing of some particularly rare and pungent herb which I knew the girls were keen to sample, and Quimberry did spend unnatural amounts of time away from the band and me in particular. Sadly I lack the evidence to pursue the matter as yet, although my then dealer assured me the goods had been delivered. And it's not something I can pursue without a firearms license (denied to me, bizarrely, despite the numerous threats on my life during my career, by the Wiltshire Constabulary)

It was during recording of that illegitimate album, that Emma had been recalled to Amsterdam, primarily as tongue-double, for a new Art Movie. Like being shafted by an over-excited, over-sized, over-enthusiastic, King Dong of a donkey, the news reached me of Emma's death. On the spot I wrote "Emma (Lost Without Ya)". The next day, pride swallowed, I journeyed to Huddersfield, where the 3 of them had been recording, played them the demo of "Emma…" and insisted that we reform the band.

For a few days we were all overcome with grief. Imogen was almost inconsolable, having lost her partner in crime, but both Jism & I, quite honourably, took it in turn to administer the only grief-therapy we knew.

But I'm getting ahead of myself - Emma's death galvanised us all into recording Ganja Force's last ever album - "More Fun Than A Barrel Of Monkeys".

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